Catalogue Raisonné
Within these pages lies a comprehensive exploration of Banford’s evolution of his creative vision and the breadth of his artistic expression.
From his earliest works to his most recent masterpieces, this catalogue offers a curated journey through Banford’s diverse body of work. Whether you’re a seasoned art enthusiast, a scholar, or a newcomer to Banford’s oeuvre, this catalogue provides invaluable insight into the life and artistry of Allan Banford
Delve into the world of abstract figurative, where each brushstroke tells a story, and every canvas is a window into the depths of the human experience. Embark on this extraordinary journey of discovery, exploration, and uncover the timeless beauty of an artistic timeless legacy.
Art Series
A captivating in depth of exploration, multidimensional creativity and boundless imagination.
These individual series, you’ll embark on a curated journey through Banford’s diverse series, each offering a unique perspective on the human experience and the world around us. From thought-provoking abstract landscapes to evocative portraits and beyond, this catalogue showcases the breadth and depth of Banford’s artistic vision.
Whether you’re an avid collector, a connoisseur of contemporary art, or simply an admirer of beauty and innovation, the Art Series catalogue offers something for everyone. Allan Banford’s Art Series, tells a story and every artwork invites contemplation and reflection.
Perspective Scenarios
Perspective: 1350–1400; Middle English < Medieval Latin perspectīva (ars) optical (science), perspectīvum optical glass, noun uses of feminine and neuter of perspectīvus optical, equivalent to Latin perspect-, past participle stem of perspicere to look at closely (see per-, inspect) + -īvus -ive.
Scenario: 1875–80; < Italian < Latin scēnārium. See scene, -ary
In the realm of artistic expression, there exists a remarkable phenomenon where the complexities of three-dimensional landscapes are deftly transcribed onto the canvas of two dimensions. This ingenious portrayal is the hallmark of Banford’s creative prowess, where through a masterful fusion of technique and imagination, he unveils worlds beyond the confines of traditional perception.
Banford’s innovative approach transcends mere representation; it becomes a narrative journey through the intricacies of space and time. With each stroke of his brush or pen, he intricately weaves together the spatial relationships of instances and characters, creating a tapestry of interconnected moments that span across past, present, and future.
Through Banford’s artistry, actions and movements take on a palpable quality, as if frozen in time yet pulsating with life. Characters leap from the canvas, their gestures and expressions speaking volumes, while scenes unfold with a cinematic flair, transporting the viewer into a realm where reality and imagination seamlessly converge.
In this captivating world of Banford’s creation, dimensions blur and boundaries dissolve, inviting exploration beyond the confines of conventional perception. It is a testament to the transformative power of art, where the limitations of space and time yield to the boundless realm of creativity and expression.
Organic Surroundings
Organic: 1350–1400; Middle English: pertaining to an organ of the body < Latin organicus by or employing a mechanical device, instrumental < Greek organikós equivalent to órgan(on) organ + -ikos -ic.
Surroundings: 1400–50; late Middle English: inundation; see surround, -ing1, -ing2.
Allan Banford’s “Organic Surroundings” series emerges as a profound exploration of the interplay between life’s essential components and the environments they inhabit. With meticulous detail, Banford delves into the very essence of existence, capturing the organic matter that shapes our surroundings. Each stroke of his brush is imbued with a sense of reverence for the intricate web of life, from the humblest microorganisms to the towering giants of the forest canopy.
In Banford’s conceptualization, elements morph into living entities, blurring the lines between the inanimate and the animate. His keen eye for detail reveals the subtle interconnections that bind all living matter, emphasizing the profound impact of organic compounds on the world around us. Through his art, Banford invites viewers to contemplate their place within this vast ecosystem, fostering a deeper appreciation for the interconnectedness of all life forms.
Within the confines of Banford’s canvases, scenarios unfold with a richness that mirrors the complexity of the natural world. Each scene teems with life, from the rustling of leaves in a sun-dappled glade to the teeming activity of microscopic organisms beneath the soil. Through his masterful rendering of these environments, Banford transports viewers to a realm where the boundaries between observer and observed dissolve, inviting them to immerse themselves fully in the organic tapestry of existence.
Banford’s work not only captures the physical manifestations of organic matter but also evokes the intangible essence of life itself. His art serves as a reminder of the profound interconnectedness of all living beings, inspiring a sense of wonder and reverence for the intricate beauty of the natural world. Through his “Organic Surroundings” series, Banford invites viewers to embark on a journey of discovery, where each brushstroke unveils a new facet of the living tapestry that surrounds us.
Geometric Slendour
Geometric: 1620–30; < Latin geōmetricus < Greek geōmetrikós, equivalent to geométr(ēs) (see geometer) + -ikos -ic.
Splendour: 1400–50; < Latin splendor, equivalent to splend(ēre) to shine + -or -or1; replacing late Middle English splendure < Anglo-French < Latin, Also especially British, splen·dour.
In Allan Banford’s “Geometric Splendour” series, the ethereal beauty of geometry takes center stage, captivating viewers with its majestic precision. With meticulous attention to detail, Banford explores the intricate world of geometric forms, revealing the underlying harmony that governs our physical reality. Each artwork serves as a testament to the profound significance of geometry, a branch of mathematics that delves into the fundamental aspects of size, position, angle, and dimension.
Within Banford’s creations, the world is transformed into a mesmerizing tableau of shapes and patterns, each imbued with its own unique allure. From the elegant simplicity of a circle to the intricate complexity of a fractal, geometric elements come alive in vibrant hues and striking compositions. Through his masterful execution, Banford celebrates the intrinsic beauty of these mathematical constructs, inviting viewers to marvel at the sheer splendor of form and structure.
Banford’s artistic vision transcends mere representation, infusing his compositions with a sense of grandeur and magnificence. Each geometric shape becomes a symbol of order and symmetry, reflecting the inherent beauty of the natural world. Through his graphical execution, Banford elevates these mathematical concepts to a realm of artistic expression, imposing the pomp and grandeur of their outstanding shapes upon the canvas.
In the world according to Banford, space becomes a playground for geometric exploration, and spatial relationships take on a mesmerizing significance. Through his art, he invites viewers to contemplate the profound implications of geometry in shaping our perception of reality. With each stroke of his brush, Banford unveils the hidden beauty of the geometric universe, leaving us in awe of its splendor and complexity.
Mind States
Mind: 900; (noun) Middle English mynd(e), aphetic variant (see y-) of imynd, Old English gemynd memory, remembrance, mind; cognate with Gothic gamunds; akin to Latin mēns mind, Greek manía madness; (v.) Middle English minden, derivative of the noun.
States: 1175–1225; Middle English stat (noun), partly aphetic variant of estat estate, partly < Latin status condition (see status); in defs 7–11 < Latin status (rērum) state (of things) or status (reī pūblicae) state (of the republic).
In Allan Banford’s “Mind States” series, the intricate landscape of human psychology unfolds through a mesmerizing array of abstract portraits. With a keen understanding of the human psyche, Banford delves into the depths of cognitive processes, capturing the essence of individual states of mind with remarkable clarity and insight. Each artwork serves as a window into the complex interplay of thoughts, feelings, and emotions that define a person’s inner world.
Through Banford’s skillful interpretation, the intangible aspects of human experience are rendered tangible, as feelings and moods take on palpable form. From moments of joy and serenity to periods of introspection and turmoil, each portrait encapsulates the unique emotional journey of its subject. With bold strokes and vibrant colors, Banford breathes life into abstract concepts, inviting viewers to immerse themselves in the rich tapestry of human emotion.
In the world of “Mind States,” each portrait becomes a reflection of the subject’s innermost thoughts and feelings, expressed through a language of shapes, lines, and colors. Banford’s artistry transcends traditional portraiture, offering a glimpse into the ever-shifting landscape of the human psyche. With sensitivity and empathy, he captures the nuances of emotional states, illuminating the intricacies of the human experience.
Through his “Mind States” series, Banford invites viewers to contemplate the complexity of their own inner worlds, as well as those of others. Each portrait serves as a reminder of the diversity of human experience, celebrating the rich tapestry of emotions that define us as individuals. With each brushstroke, Banford invites us to explore the depths of our own minds, fostering a deeper understanding and appreciation of the human condition.
Forefront Studies
Forefront: First recorded in 1425–75, forefront is from the late Middle English word forfrount, forefrount. See fore-, front.
Studies: 1250–1300; (noun) Middle English studie < Old French estudie < Latin studium, equivalent to stud(ēre) to be busy with, devote oneself to, concentrate on + -ium -ium; (v.) Middle English studien < Old French estudier < Medieval Latin studiāre, derivative of studium.
Allan Banford’s “Forefront Studies” series stands as a testament to his relentless pursuit of artistic innovation and intellectual exploration. With each piece meticulously crafted through deep research and systematic investigation, Banford pushes the boundaries of creativity to establish new visual frontiers. Through a fusion of materials, sources, and methodologies, he not only establishes facts but also reaches new visual conclusions, reshaping existing concepts into abstract alternatives that challenge traditional artistic norms.
In Banford’s world, the head assumes a position of utmost importance, symbolizing the pinnacle of human intellect and creativity. Through his art, he captures the essence of intellectual prominence, inviting viewers to contemplate the depth of human thought and the endless possibilities it entails. Each artwork serves as a testament to the power of the mind to generate abstract alternatives and methodologies, forging new understandings that transcend conventional boundaries.
Within the “Forefront Studies” series, Banford’s creative vision knows no bounds as he explores the intersection of art and knowledge with boundless curiosity. Each piece is a testament to his unwavering commitment to pushing the limits of artistic expression, offering viewers a glimpse into a world where innovation reigns supreme. Through his meticulous attention to detail and his willingness to challenge the status quo, Banford inspires awe and admiration, sparking a sense of wonder in those who encounter his work.
Ultimately, Allan Banford’s “Forefront Studies” series serves as a beacon of inspiration for aspiring artists and intellectuals alike. Through his dedication to research and his fearless pursuit of creative expression, Banford reminds us of the transformative power of art to shape our understanding of the world. In capturing the position of greatest importance or prominence of the head, he invites us to embark on a journey of intellectual discovery, where imagination knows no bounds and innovation reigns supreme.
Dynamic Abstraction
Dynamic: 1810–20; < French dynamique < Greek dynamikós, equivalent to dýnam(is) force, power + -ikos -ic.
Abstraction: 1540–50; < Late Latin abstractiōn- (stem of abstractiō) separation. See abstract, – ion.
In Allan Banford’s “Dynamic Abstraction” series, the essence of constant evolution is vividly captured through a mesmerizing display of energetic movements. With each artwork, Banford explores the realm of conceptual abstraction, seamlessly blending diverse elements to form a visual tapestry that defies conventional categorization. Through his masterful use of form, color, and texture, he creates compositions that pulsate with life, inviting viewers to immerse themselves in a world where the boundaries between reality and imagination blur.
In this series, Banford delves into the depths of the abstract, drawing inspiration from a myriad of sources including concepts, observable phenomena, and personal experiences. Each piece is a testament to his ability to distill complex ideas into visual form, offering viewers a glimpse into the rich tapestry of human thought and emotion. Through a process of synthesis and reinterpretation, Banford crafts compositions that resonate with dynamic energy and vitality, inviting viewers to embark on a journey of exploration and discovery.
Within the “Dynamic Abstraction” series, Banford’s artistic vision knows no bounds as he pushes the limits of traditional representation. Rather than adhering to concrete forms or subjects, he embraces the fluidity of abstraction, allowing each artwork to take on a life of its own. Through his bold experimentation and fearless innovation, Banford invites viewers to challenge their perceptions and embrace the inherent beauty of ambiguity.
Ultimately, Allan Banford’s “Dynamic Abstraction” series serves as a celebration of the limitless possibilities of artistic expression. Through his mastery of form and his relentless pursuit of creativity, Banford reminds us that art has the power to transcend boundaries and ignite the imagination. In capturing the ever-changing nature of energetic movements and conceptual abstractions, he invites viewers to embrace the dynamic nature of existence and revel in the beauty of the unknown.
Baroque Isolation
Baroque: 1755–65; < French < Portuguese barroco, barroca irregularly shaped pearl (of obscure origin; compare Spanish berrueco, barrueco granitic crag, irregular pearl, spherical nodule), probably conflated with Medieval Latin baroco invented word for a kind of obfuscating syllogism.
Isolation: “standing detached from others of its kind,” 1740, a rendering into English of French isolé “isolated” (17c.), from Italian isolato, from Latin insulatus “made into an island,” from insula “island” (see isle (n.)). English at first used the French word (isole, also isole’d, c. 1750), then after isolate (v.) became an English word, isolated became its past participle.
In Allan Banford’s “Baroque Isolation” series, the timeless style of 17th-century Italian art is reimagined with a contemporary twist, evoking the dramatic flair and sculptural elegance of the Baroque era. With each artwork, Banford pays homage to the rich tradition of classical orders and ornamental motifs that defined this period, while infusing his compositions with a sense of modern minimalism and individualism.
Drawing inspiration from the Baroque aesthetic, Banford employs a bold and sculptural use of form, creating compositions that exude a sense of grandeur and theatricality. Through the judicious use of texture and light, he imbues his subjects with a sense of presence and depth, inviting viewers to contemplate the interplay between form and space.
Yet, amidst the opulent surroundings, there is a sense of isolation that permeates Banford’s works, as he strips away extraneous elements to focus on the essence of the subject. Each artwork is characterized by a sense of quietude and introspection, as figures are isolated within minimal environments, their emotions and individuality laid bare for all to see.
Through his “Baroque Isolation” series, Banford invites viewers to contemplate the timeless themes of beauty, solitude, and self-discovery that have long been associated with the Baroque era. In his hands, the classical meets the contemporary, creating a visual dialogue that transcends time and space. Ultimately, Banford’s art serves as a reminder of the enduring power of the Baroque aesthetic to inspire and captivate audiences, even in the modern age.
Equine Series
At the heart of the “Equine” series lies Banford’s unparalleled attention to detail and precision. In each portrait, the ocular cavity becomes a focal point, drawing the viewer into the soulful gaze of the horse and revealing the depth of emotion and intelligence hidden within. Through his meticulous rendering, Banford elevates the horse from mere subject to an object of reverence and fascination, inviting viewers to forge a deeper connection with these remarkable animals.
Ultimately, Allan Banford’s “Equine” series stands as a testament to the enduring bond between humans and horses, as well as to the transcendent power of art to capture the beauty of the natural world. With its captivating blend of charisma, intensity, and precision, this series serves as a timeless homage to the majesty of the horse, leaving an indelible impression on all who encounter it.
Calligraphy Series
Calligraphy: “the art of beautiful writing, elegant penmanship,” 1610s, from Latinized form of Greek kaligraphia, from kallos “beauty” (see Callisto) + graphein “to write” (see –graphy). Related: Calligrapher; calligraphic.
Allan Banford’s “Calligraphy” series offers a captivating exploration of the ancient art of written communication, where words transcend mere text to become pictorial images rich with meaning and imagination. Drawing inspiration from the decorative handwriting found in various linguistic traditions around the world, Banford skillfully unites the diverse spoken dialects into a unified visual language of artistic expression.
In this series, Banford employs his unique “Laceration” technique to isolate symbols from different languages, weaving them into abstract backgrounds that pulsate with vibrant energy. Through his masterful manipulation of color and form, he merges the characters seamlessly with their dynamic environments, enhancing their individual meanings and messages.
The first edition of Banford’s “Calligraphy” series showcases Mandarin simplified, offering viewers a glimpse into the rich tapestry of Chinese linguistic tradition. Each character is imbued with a sense of depth and significance, as Banford breathes new life into age-old symbols through his innovative artistic approach.
Through his “Calligraphy” series, Banford invites viewers to embark on a visual journey of exploration and discovery, where words become windows into the soul of language itself. With each stroke of his brush, he celebrates the timeless beauty and universal significance of written communication, leaving an indelible mark on the canvas of human expression.
Exhibitions
- Loosen Art ∙ Rome ∙ Italy.
- Murze Magazine ∙ Germany.
- Barcu ∙ X-Espacio ∙ Colombia.
- Art San Diego ∙ X-Espacio ∙ United States.
- Ta Kung Pao ∙ Hong Kong.
- Troxler ∙ OKUA ∙ Tokyo ∙ Osaka ∙ Japan.
- Asia Contemporary Art Show ∙ Hong Kong.
- Radian ∙ Lot88 ∙ Hong Kong.
- Longines Masters ∙ M&S ∙ Hong Kong.
- Paul Cezanne’s – J. M. W. Turner – John Constable ∙ M&S ∙ Hong Kong.
- Matter of time Exhibition ∙ M&S ∙ Hong Kong.
- Nerve Royal Mail stamp ∙ We gallery ∙ China.
- British contemporary Artist ∙ M&S ∙ Hong Kong.
- King of Second Chances Closing Event ∙ Library ∙ London.
- King of Second Chances∙ Library ∙ London.
- The Prophet and his Court ∙ SkyArts ∙ London.
- Rhetorical Series ∙ Art Award louvre emerging artist ∙ Paris.
- Circus ∙ Artsland ∙ New York.
- A Series ∙ Supreme Gallery.
- The Prophet and his Court ∙ Milroys ∙ London.
- Canonromo ∙ Video Art Award White Box ∙ Paris.
- A moment with Klimt ∙ Glasscade Gallery ∙ Stockholm.
- A Series ∙ Glasscade Gallery ∙ Stockholm.
- ArtSlant Prize Showcase Winner in the painting Category ∙ New York. 2016 EGO.
- Rhetorical Series ∙ The Vault ∙ London.
- Elizabeth ∙ Spring Saloon Exhibition ∙ London.
- Rhetorical Series ∙ Holland Park Av ∙ London.
- Light Burner and Monkeys ∙ We are sweet art ∙ London.
- Mona Flat ∙ Degree Art ∙ London.
- Velvenoir ∙ Virtual Dimensional Luxury ∙ Austria.
- Mona Blue ∙ 1st Place Absolut Art Exchange UK ∙ London.
- World Citizen Artists Award ∙ Belgravia Gallery ∙ London.
- Mona Flat ∙ Solo Exhibition at the Mansion ∙ London. Mona Flat ∙ Solo. Exhibition at the Mansion ∙ London.
- Today series continued ∙ Est JUL.10,2014 ∙ Global.
- EXHIBBIT ∙ Solo Virtual Exhibition ∙ Global.
- Summer Exhibition ∙ Castle Fine Art Gallery ∙ London.
Group Exhibitions
- Fabric Virtual Exhibition ∙ Artgence ∙ Paris ∙ France.
- Design Shanghai ∙ China.
- Barcu ∙ X-Espacio ∙ Colombia.
- The Essential ∙ Loosen Art ∙ Rome ∙ Italy.
- Art San Diego ∙ X-Espacio ∙ United States.
- Asia Contemporary ∙ Hong Kong.
- British contemporary Artist ∙ M&S ∙ Hong Kong.
- Elizabeth ∙ Spring Saloon Exhibition ∙ London.
- Velvenoir ∙ Virtual Dimensional Luxury ∙ Austria.
- Perspective Scenarios ∙ Halcyon Gallery ∙ London.
Auctions
- Artnet ∙ Allan Banford ∙ UK ∙ US ∙ Germany.
- Barnebys ∙ Allan Banford ∙ Stockholm ∙ Sweden.
- Winter Contemporary Art 2020 ∙ TimaxArt TimaxGlobal Ltd ∙ New York ∙ US.
- Retrospective and Calligraphy series ∙ live auctioneers ∙ New York ∙ US.
- Retrospective and Calligraphy series ∙ TimaxGlobal Ltd ∙ London ∙ UK.
- Retrospective and Calligraphy series ∙ Invaluable ∙ United Kingdom, France, Belgium, Germany & Australia.
- Love ∙ Chuo Tokyo ∙ Hong Kong.
- Retrospective One ∙ Sotheby’s ∙ London ∙ UK.
Awards
- Art Award louvre emerging artist ∙ Paris.
- Canonromo ∙ Video Art Award White Box ∙ Paris.
- EGO ∙ ArtSlant Showcase Winner Award ∙ New York.
- Mona Blue ∙ 1st Place Absolut Art Exchange UK.
- World Citizen Artists Award ∙ Belgravia Gallery.